I recently gave a talk at the Disruptive Media Learning Lab at Coventry University centred on the debates and the constructs of what might constitute ‘learning experiences’ in a post-digital higher education world. This is a difficult and sometimes divisive debate, but one that we need to have in order to ensure that the future doesn’t cascade away from us.
I offer some of the reasons for why we are where we are and then provide some examples of what learning and teaching could look and should look like (and does in a number of programmes and institutions). I called this ‘Little arguments with myself’ in reference to the sublimely brilliant song by the Minnesota band Low and a track off their amazing ‘Trust’ record. You can catch the clip at the bottom of this post, along with the aforementioned ‘Gloria’ by Patti Smith, which is also referenced in the presentation. Apologies to Alan Sparhawk for adding the ‘s’ to his song title. Enjoy!
I have been working on a variety of radio, podcasting and sound art projects for years under my DJ non-de-plume – DJ Ringfinger. These have varied between shows about Australian indie music (which I shamelessly plugged last year) through to some more experimental multimedia projects. I usually like to keep my worlds only slightly bleeding into each other. However, my latest piece, a sound collage-musique concrete composition called ‘How do I know any of this was real?’ is based on two common themes that I have written about this blog.
Firstly, I wanted to explore the idea of the digital stranger, and how much we and others we interact with, reveal about the real ‘us’ and from that what identity/s we construct through and because of that interaction. And secondly, I am fascinated by the idea of realness and authenticity in on-line engagement, what constitutes it? Who decides what is real and authentic anyway?
Some of the spoken word comes directly from the text of this blog, which is why I spruiking it here.
For those of you into the specs of the piece; the words are spoken by Calisto (a voice actor) from fiverr.com (which is a site that links products and services to consumers for a nominal $5 fee) and the sounds are manipulated and contorted short samples from 1950s and 1960s classical-xploitation records.
(artwork by Melbourne street artist RONE http://r-o-n-e.com)
In part 1 I started to explore some of the darker aspects of online engagement, particularly the process of disinhibition, which can be facilitated by the anonymity, fantasy, openness and freedom that engaging online affords. In this post, I want to take that analysis a little further and perhaps a little deeper into our practices as both digital citizens and academics. More specifically, I am going to unpack some of the notions around authenticity and realness. Lying at the heart of an educational experience is the ability to understand whysomething is authentic or real. Without that, we are left with a bunch of words sans context. Repeated, spoken but not contextualised or understood. Remembered, resourced but without meaning or resonance.
The use of e-learning as an instrument of replication and repetition is a theme I have explored in a number of earlier blog posts. The concept of the digital stranger throws a specific light on why using web 2.0 platforms and social media specifically as didactic, broadcast-led instruments firstly may isolate learners who have been moved significant components of their interactions and relationships to an on-line environment and secondly miss an opportunity to explore different modes of authenticity and realness, facilitated by a learners disinhibited to varying degrees, being interactive and collaborative.
What makes engaging on-line different from a face to face meeting or a class? Is there something that emerges from these apparently dark processes of identity, interaction and sharing online that doesn’t occur when we are in the same room or lecture theatre? Are we even comparing apples with apples? Perhaps we are talking about two separate iterations of the very same thing – learning. The evolution of social media and its increasingly ubiquitous use by people who chose to live some or all of their lives online do not simply represent the transition of conversations and relationships to a new platform, like moving from one coffee shop to another. These relationships can be very, very different, drawing on a portfolio of skills that have emerged and aggregated through social media platforms.
Aside from the aspects of online engagement such as anonymity and asynchronous communications that I looked at in part 1, on-line relationships can be collaborative and open, where content sharing, appropriation and creation are a daily function of the interaction. Before Facebook, would you send a memo to all your friends giving them a status update? Before Flickr, the only way we had to share photos was the dreaded slide night (I am still trying to get the memory of bad fondue and Blue Nun out of my traumatised brain.) The difference is more than the mode of transmission. Let’s take Flickr as an example. It affords the opportunity, if provided by the creator, to re-use photos, not just from people we know, but complete (digital) strangers. It provides us with a chance to comment, which can then become conversation which evolves into a relationship. It then allows us to meet other people who liked the photo or the subject of the photo, as part of a wider group. Finally, it can provide for learning through the application of critical comment, expertise sharing and collaboration. Now, think about your own discipline in this context. A class of learners engaged not just in consuming material provided to them by academics, but re-purposing them, sharing them with others, making network and connections that facilitate interaction and social construction of knowledge and participating in learner-led and facilitated learning.
However, the purpose of this blog post is not to proletize the use of social media in higher education. There are enough advocates out there doing that without me and my size 12s. No, I think there is a more fundamental lesson here for education. As academics designing and facilitating programmes there is a challenge about how much we need to engage with these new relationships. Do we keep designing learning, teaching and assessment in the same way we always have, just using web 2.0 platforms in very web 1.0 ways? Is there something more to be gained from identifying and understanding the changing ways in which interaction is occurring? Should we experience more, become part of networks and communities ourselves as a way of applying and repurposing those experiences to next contexts?
I have been actively engaged online for nearly 17 years from bulletin boards, to IRC and now onto any number of social media platforms. It has been a continual cycle of experience and appropriation and evaluation. Most of it has been enjoyable and satisfying. Some of it has been painful, traumatic and cathartic. There have been moments of inspiration, of creativity and of disappointment and body shaking laughter. I have made friends, partners, enemies and colleagues. That lived life informs how I design and develop a programme especially where there is some blended or online component. I am also 42. I am cogniscent of the fact that modes of interactivity are neither uniform nor agreed across all users, and that there are significant differences between age groups, context of usage and device preference. But I am also aware that many of my own experiences would not have happened in real life. It took both the emancipatory and the disinhibiting nature of social media to facilitate much of those experiences. In part 1, I looked at three of John Suler’s considerations for what he termed the ‘online disinhibition effect’, a way of understanding some of the darker aspects of online interaction. In part 2, I would like to explore three more; invisibility, dissociative imagination and minimisation of status and authority.
The absence of visual cues like tone of voice and body language can lower the inhibition of online learners. Suler notes;
‘People don’t have to worry about how they look or sound when they type a message. They don’t have to worry about how others look or sound in response to what they say. Seeing a frown, a shaking head, a sigh, a bored expression, and many other subtle and not so subtle signs of disapproval or indifference can inhibit what people are willing to express.’ (Suler 2004)
The fact that you can’t see the person you are engaging means the bounds of physical appearance are no longer present. Some writers (Stephens, Young and Calabrese 2007) argue that it increases the opportunity for cheating behavior in learners (necessitating a different kind of assessment, one that relies on understanding and application, not repetition and memory). Invisibility also engenders lurking and trolling behaviors both in many ways anti-social and counter to the participatory aims of most online programmes. The cloak of invisibility also impacts on those facilitating the programme as they cannot identify the visual cues of the lurkers, identify the motivations of the trolls or even see who they are actually interacting with. Equally, invisibility may afford the user with the sense of braggadocio that comes from not being seen or known, and which may hide a lack of understanding or a deliberate or accidental misreading of the learning. More widely, this can manifest itself in fantasy and role playing, gender swapping and increasingly complex scenario building that works simply because the user is effectively invisible, relying on text and images completely in their control. What happens in an online environment when some or all of what someone says turn out to be untrue or a misconstruction of the facts? What does it say for trust, authenticity and realness? How does it impact our processes of marking and feedback?
How much of online interaction is a game that we control when we log in and log off? Dissociative imagination unlocks inhibition by pretending that what is happening is not real, that the interactions are akin to those that are simulated in a video game; that the emotions, impacts and personalities affected by your actions are not real, or at least not as real as real life. And, that these actions are free from the responsibilities and consequences of real life interaction. In terms of engagement in online learning, dissociative imagination can result in boundaries between acceptable and unacceptable interaction becoming blurred, learners not treating collaborative or group activities seriously because it’s only ‘online’, especially in the context of activities or formative assessment. It is less the case in summative assessments as these have a defined impact on achievement. Whilst this type of disinhibition is not limited to online learning and clearly occurs in many classroom based modes of group work especially, the ease with which it can occur online has considerable impact on social interaction, especially in large, disparate and potentially anonymous groups.
Minimisation of status and authority
As a guiding principle, most of the online programmes I have designed or been involved in developing have been put together with the intention that the role of the ‘teacher’ should be de-privileged. Why should the articles we recommend become the basis for the literature used in all our assessments? Why can’t learners find and share references through citation platforms or digital curation tools like Scoop.it? Suler notes that;
‘The traditional Internet philosophy holds that everyone is an equal, that the purpose of the net is to share ideas and resources among peers. The net itself is designed with no centralized control, and as it grows, with seemingly no end to its potential for creating new environments, many of its inhabitants see themselves as innovative, independent-minded explorers and pioneers. This atmosphere and this philosophy contribute to the minimizing of authority.’ (Suler p.234)
In the context of adult learning, how do we reconcile the internet’s ability to support a democratic and emancipated environment (although within a wider context of access to infrastructure and bandwidth – the digital divide is a post for another day) with the central control that a university craves? I would argue strongly for the need to support the development of ‘innovative, independent-minded explorers and pioneers’ both inside our community and our faculties and schools. Arguably, whilst the deconstruction of authority poses many challenges, especially to ego and established practice, the potential it offers from programme design and assessment is exciting.
At the end of the day, as a person leading a programme, what I am really seeking? Are retention and achievement the key measures of the success or failure of the programme to make learning happen? Without doubt they measure, at least obliquely, learner engagement and perhaps even more obliquely, learner satisfaction. I called these two blog posts ‘How do I know that all of this was real?’ What matters most to me in the digital life I live, the digital scholarship I engage in and the relationships that I build and have fall is authenticity. The experiences, whether they are with me or others hidden behind a disinhibited wall or showing their ‘real’ selves warts and all, should have something authentic about them That could be a glimpse of a personality or trait kept well hid in real time or a full blown role play of character and emotional resonance.
The most powerful form of authenticity in terms of online learning manifests itself as creativity. I see online learning as a magnet for creative activity, freeing learners from the some of the rules of society that inhibit creative thought. There are risks attached to this at a curricular or learning level. People can hurt in this environment; it can be traumatic, worrying, confusing and challenging. Whilst it is essentially (although not always) a safe environment, it might provoke learners into thinking about why they are doing something or why they are being told something. My observations from part 1 still stand however. In the age of MOOCs and platform driven e-learning, fuelled by OERs and user engagement, there is a place for a new pedagogy, a new way of thinking about how we structure higher education. It is a pedagogy that accesses the skills the learner already has and does not assume that they are a blank slate, ready to be moulded by own inputs as faculty ‘experts’. It is a pedagogy that puts interaction and engagement at the centre of learning, teaching and assessment strategy. It is a pedagogy that challenges the learners to make decisions about the authenticity or realness of what they are learning. It asks learners to reuse, appropriate, create, design, share, collaborate and apply things. It is a pedagogy that draws inspiration from the challenges presented by interaction as and with digital strangers.
In 2007 Marilyn Lombardi in a piece called ‘Authentic learning for the 21st century’ used the phrase ‘authentic learning’ to describe a learning-by-doing process, defining it thus;
‘Authentic learning typically focuses on real-world, complex problems and their solutions, using role-playing exercises, problem-based activities, case studies, and participation in virtual communities of practice. The learning environments are inherently multidisciplinary. They are “not constructed in order to teach geometry or to teach philosophy. A learning environment is similar to some ‘real world’ application or discipline: managing a city, building a house, flying an airplane, setting a budget, solving a crime, for example.” Going beyond content, authentic learning intentionally brings into play multiple disciplines, multiple perspectives, ways of working, habits of mind, and community. ‘
The attraction of the space between disciplines is a strong one, and a lot of the literature around authentic learning supports the benefits of inter and trans-disciplinary learning. Perhaps there is a need to think again about authentic learning as a way of shaping both the curriculum design and broader pedagogical principles of an institution, right down to programme or even modular level. Drawing on some of the recommendations from these last two posts, maybe there is a need for authentic learning 2.0. A topic for another blog post!
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